[S1E2] Start Up Or Die Trying
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A sequence will now start where Lee has to advance towards Brenda, who is holding Katjaa hostage. In order to not die during this section you must remain still whenever Brenda points the gun at you. Not doing so will make her shoot Lee, resulting in game over.
Andy will then start up the electric fence and try to push Lee into it. Struggle against Andy by mashing the correct button. If you have a good relationship with Lilly at this point, she will appear and shoot Andy. If you don't, she will leave Lee to die and he will fight Andy off by hitting him at the last second.
In the house, Kat sees a trail of water drops. She follows them upstairs and it leads to Alice. Kat is relieved and hugs her while she tries to explain her whereabouts. Alice apologies and says she was trying to find her way home. Kat mistakes that to mean she was trying to get back home to her father Brady. Alice tells her that is not the case, but Kat refuses to listen. She reprimands her with no mercy. Alice begs the question of what happened to her as she just witnessed the happier version of her mom two decades ago. Kat grounds her. Downstairs she meets Del at the kitchen table. Del reminds her that she told her Alice would come home.
And, even in this tragic moment, the show is interested in the small details of how the news of George's death is received. We see how Queen Mary is informed. We see how the BBC is waiting for Churchill's go-ahead to break the news. We see how every national outlet starts reporting on his death. Some may find the detail unnecessary, but I loved it because it creates a vivid image of this family's exceptionality.
And, the crown already starts winning even before Elizabeth's official ascension: Philip isn't allowed to escort her from the plane because \"the crown takes precedence\"; her mother and sister must walk behind her; Queen Mary must curtsy when she arrives at Sandringham House. Even now, the crown has already started to become isolating, which harkens back to Elizabeth's conversation with her father in the premiere. Elizabeth standing awkwardly as her grandmother bows before her is a striking moment, especially when compared to the beginning of the episode when she was nervous about addressing the people of Kenya when she got off the plane.
Even though he's grieving the nation's loss, Churchill knows this is an important moment for him. If he botches his eulogy, which is being broadcast to the nation, that's the end of him. The pressure is on and he struggles to write, but then his wife tells him about Anthony's meeting with a king. And, that's what re-ignites Churchill's spirit, and he delivers a poignant and inspiring address. That's what he needed: an opponent. In the premiere, Anthony joked that Churchill still thought he was the father of the nation and was at war, and then here Churchill tells a young aid that he is a monster because that's what he needed to be to defeat Hitler. Like Hitler, the threat of his protégé trying to usurp his power brings out the best in him again. Pairing Churchill's eulogy with Elizabeth taking her first steps into her new position is powerful, especially because of the score, which never overpowers the action on screen or Churchill's words about the future.
As the full moon comes in, our wolves are starting to struggle. Luna is home alone and starts to feel and see something outside. We see it storm through the door, and it is a big horse that startled her, but it looks as if she is seeing things. Moments later, she gets a text from Harlan that they found Garrett. Finally, a rescue team heads to the woods and finds him lying down with quite a few injuries.
In another flashback, we see teen Tully having to deal with her mother and her boyfriend. The boyfriend gets close to her space, so she hits him with a spatula while frying eggy bread. Memories flushed back of what happened to her at the camp party with Pat. This is a broken childhood, and the series is trying to exemplify how it has formed her adult life.
Shea, Thomas, James and Elsa soon encounter Wade (James Landry Hebert), Ennis (Eric Nelsen) and Grady (Alex Fine), cowboys who agree, for a price, to help them round up the wild cattle for their journey. As they begin their work, all hell breaks loose at the camp because Claire antagonizes a group of bandits, led by Clyde Barker (Joey Oglesby), when she throws rocks at them when they are watering their horses in the river. In a horrific sequence, the thieves start shooting at the camp and kill a bunch of people, including Mary Abel. Shea, Thomas, James and Elsa return with the cattle and, on hearing about the massacre, decide that they must take vengeance.
It's a sad thing because I've actually met very accomplished people, very successful people, on the top in their different fields and areas of their professions and they still have envy within them, of people beneath them (so to speak) of where they haven't gotten to. You see this a lot in Hollywood. You see this a lot in artists and you see this with people who have talents and abilities to entertain people. You see it in fields of scientists, of authors, pretty much anybody. And I've always found it fascinating (and unfortunately not fascinating in a beautiful way) but fascinating in a way of trying to understand the human psyche in this psychology and the spiritual weakness behind envy.
So with envy I would encourage you to take a minute and think in your life, Wow, who am I envious of Who am I jealous of And then spend some time trying to figure out what you admire about that person. What is it perhaps that they have that you don't have What is it perhaps that they are doing, that you're not doing What is it perhaps that they are thinking, feeling, and acting upon What have they achieved that you have not achieved What can you do now to achieve those things that they have achieved
First, we might be able to forgive the show trying to convince us that the 65-year-old Costner is up for taming a wild stallion. After all, he's the hero, and if we don't buy the conceit that Dutton is an extraordinary cowboy, we may as well not watch the show at all. Still, it's hard not to notice how artfully the show hides the fact that, whoever the cowboy is who's riding that bucking bronco, it sure ain't Kevin Costner. In fact, when it cuts back to Costner's Dutton, he isn't even breathing hard. Oh well, John Wayne didn't break a sweat all that often, either.
We also get to see more of how Dutton is less a rancher than some sort of don in the cowboy mafia as he meets with the father of the witness to Kayce's being at the shootout. They go see a rodeo in Billings together, where the man's son is riding a bull in an attempt to earn his father's belt. Dutton says that he's trying to protect his son, as well, and that he's going to lose another unless the boy stops telling everyone he saw Kayce.
Back at the ranch hand's bunkhouse, a big bully named Fred is trying to get Jimmy to take a shower. But after however many interminable hours duct-taped to a bucking horse, Jimmy's a little sore. And that's not to mention the third degree burns he must be enjoying from being branded a day or two before. When Fred attempts to get Jimmy off his bunk and force him to shower, the still-tender brand is revealed, causing Fred to do a double-take. Thankfully, an older ranch hand named Lloyd (Forrie J. Smith) comes to his rescue, pulling off his shirt and revealing that he too has been branded - and, by extension, must have been a reformed criminal himself.
But this is still a good key to the show's approach. In one scene, Nick (the aforementioned son) accidentally prevents his sister, Alicia, from wandering off to her presumed demise because he starts seizing and vomiting and needs her to make sure he doesn't accidentally choke to death.
This approach works, however, because it allows the show to slowly scale up its carnage. When zombies pop up on Fear, they don't feel as routine as they've become on the parent series (something that show has actually exploited to good effect in later seasons). Instead, they feel like alien monsters, arrived from some other reality entirely. So much of apocalyptic storytelling is about disruption, and there are few things more disruptive than the neighbor across the way trying to eat people.
But we see this lack of communication on an interpersonal level as well. Everybody's trying to keep Alicia in the dark about the dead returning to life, while she won't listen to Nick because he's a drug addict who's been a burden on her life so far. Liza doesn't want to hear it from Travis, because of unspecified baggage, while Chris (annoyingly) decides to just head off to political protests without really telling anyone. The communication gap even extends to a literal language gap in some scenes, as some characters speak English and some speak Spanish.
Pascal has seen every side of Camille -- her strength and vulnerability. She feels foolish for believing she was more to him, though it was true, or at least, that's what he is trying to make her think.
The series also wants to make a meal out of Strangeways' trauma of a dead partner. Once again, he heads away from his job on the Isle to meet with his deceased partner's sister. She's trying to bring a wrongful death suit against the police for gross negligence, a desperate move considering this is someone who (at least as far as the show has suggested) died in the line of duty. But perhaps not Strangeways takes the card of the solicitor she offers.
Noticing a light in the tunnel above his head, Masson makes a desperate bid for freedom. Unfortunately for Masson, he found himself back where he started, but trapped within the coffin of Winston. With nowhere to go, the rats of the labyrinth swarm him, leaving him to a grizzly end.
Morty is later seen lying down on a hospital bed in a critical state with Snuffles by his side trying to keep him alive. Snuffles awakens (the aforementioned scenario is revealed to be a dream) and realizes that colonizing earth isn't the answer and that dog-kind must not fall to the fate of humankind with its heartbreak and cruelty. Snuffles and Morty have a tearful goodbye as Snuffles leaves for another planet for intelligent dogs where compassion is exercised and \"pet insurance is mandatory.\" 59ce067264
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